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If Walls Could Speak

My Life in Architecture

Audiobook
1 of 1 copy available
1 of 1 copy available
Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures—from the 1967 modular housing scheme in Montreal known as "Habitat" and the Yad Vashem memorial in Israel, to the Crystal Bridges Museum in Arkansas and the Marina Bay Sands development and extraordinary Jewel Changi airport interior garden and waterfall in Singapore. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live in, work in, or experience a building.
If Walls Could Speak takes listeners behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works. Relating memorable stories about what has inspired him—from childhoods in Israel and Montreal to the projects and personalities worldwide that have captured his imagination—Safdie reveals the complex interplay that underpins every project and his vision for the role architecture can and should play in society at large. If Walls Could Speak ends with a chapter outlining seven projects Safdie would pursue around the world if resources and will were no issue and the choices were his to make.
A book like no other, If Walls Could Speak will forever change the way you look at and appreciate any built structure.
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    • Publisher's Weekly

      Starred review from June 13, 2022
      “The mystery of architecture... is perhaps not unlike the mystery of life itself,” muses Israeli architect Safdie (The City After the Automobile) in this marvelous look at his life and career. After graduating from Montreal’s McGill University in 1961, Safdie apprenticed in Philadelphia under architect Louis Kahn, but it was his innovative modular design for Habitat ’67—a model housing apartment complex created in Montreal for the 1967 International and Universal Exposition—that placed him on the world’s stage. As he recounts the structures he built over the over the next half century (Canada’s National Gallery of Art, Israel’s Yad Vashem Holocaust History Museum, Singapore’s Marina Bay Sands), Safdie walks readers through the creative process behind each, sprinkling in colorful anecdotes about friends such as Yo-Yo Ma, whose impromptu cello performance at Safdie’s Class of 1959 Chapel awoke the architect to his work’s “fine acoustics.” He also details the political and economic barriers that influenced such works as Habitat Tehran, the plans of which were abruptly ended by the Iranian Revolution. In prose unburdened by pretension, Safdie articulates his artistic philosophy against the backdrop of a changing world, maintaining that architecture should be both intentional and socially engaged. The result yields a brilliant defense of architecture as an expression of truth and beauty.

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  • English

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