The Custom of the Country

Edith Wharton's novels of manners seem to grow in stature as time passes. Here she draws a beautiful social climber, Undine Sprague, who is a monster of selfishness and honestly doesn't know it. Although the worlds she wants to conquer have vanished, Undine herself is amazingly recognizable. She marries well above herself twice and both times fails to recognize her husbands' strengths of character or the weakness of her own, and it is they, not she, who pay the price. Barbara Caruso can't make Undine sympathetic; no one could. But she makes her believable, quite miracle enough, and renders Undine's slash-and-burn progress toward what she thinks will make her happy utterly absorbing. B.G. (c) AudioFile 2003, Portland, Maine

Laurel Lefkow gives a stellar performance as she introduces Edith Wharton's 1913 characters to a 21st-century audience. The story features one of literature's least likable heroines, Undine Spragg. Lefkow gives her a simpering, cloying, sometimes whiny voice, which is perfectly suited to this shallow, spoiled, and self-absorbed young woman. Undine has four marriages as she ascends the social ladder, and each union is masterfully portrayed. Undine's richest husband is the crude financial tycoon Elmer Moffat. He is given a husky, folksy voice. The story is slow paced and filled with richly detailed locales. Lefkow's warm, articulate voice makes for a highly enjoyable listening experience. D.L.G. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine