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The Long-Shot Trial

Audiobook
1 of 1 copy available
1 of 1 copy available

Arthur Beauchamp takes a break from the courtroom to write a memoir so he can set the record straight about a headline murder case he fought as a young lawyer in 1966. The trial would either mark him as a pathetic loser or thrust him into the top ranks of criminal counsel.

The background: in 1966, a young housemaid was raped by her employer, a callous and vindictive millionaire. She shot him point blank, so it seemed an open-and-shut case of first-degree murder. Enter Arthur Beauchamp, a young lawyer haunted by having bungled his only previous murder case. He is now called upon to defend a case that he is almost certain can't be won. But as the trial speeds through twists and turns, his slashing cross-examinations bring hope that the jury might entertain a reasonable doubt.

In the present time, Arthur learns that writing about his social gaffes, booze, and sex is not easy, especially as his efforts are regularly interrupted by the quirky characters who inhabit his supposedly idyllic Garibaldi Island.

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    • Publisher's Weekly

      March 25, 2024
      Deverell shines in his clever latest outing for Arthur Beauchamp (after Stung), which finds the Canadian defense attorney looking back on a decades-old murder case. In 1966, Angelina Santos, a maid, confessed to murdering her employer, business magnate Frederick Trudd, with his own rifle. She claimed Trudd had long been abusing her, and that he raped her three days before she killed him. Despite the long odds of winning an acquittal, 29-year-old Beauchamp is assigned to defend Santos, and urged by his boss to make a good-faith effort. Haunted by the loss of his only previous murder trial, Beauchamp is determined to find weaknesses in the prosecution’s case. As the trial unfolds in 1966, Deverell shuffles in chapters set in the present day: biographer Wentworth Chase has published a second edition of his book about Beauchamp’s career, with new material about the Santos case that Beauchamp disputes. To set the record straight, he begins writing a memoir that covers the early days of his career. The ingenious framing device and surprise-packed courtroom action put this on the level of the series’ best entries. It’s a surefire winner.

    • Library Journal

      September 1, 2024

      In 2023, Canadian lawyer Arthur Beauchamp looks back on one of his first cases, his 1966 defense of murder suspect Angelina Santos, a housemaid who confessed to shooting her employer after he raped her. The problem is that Angelina can't remember what happened and only assumes that she was the shooter. The trial takes place in a quaint backwater that hasn't kept pace with the modern world. As Arthur prepares for this career-making case, he is charmed by his client, who seems pious and naive. The victim, on the other hand, was not well liked. He owned most of the town and was known to be a heavy drinker and a hothead. With the odds against him, Arthur has to create reasonable doubt in the minds of the jury. But an irascible judge, a flirtatious prosecutor, and a list of unreliable witnesses make his job even harder. With this ninth installment in his Arthur Beauchamp series (after Stung), Deverell creates a cast of eccentric characters who bring humor and chaos to the narrative. Narrator Tim Machin offers an engaging performance as he takes listeners through the twists and turns of this unpredictable story. VERDICT This humorous novel, loosely based on a real case, captivates and entertains.--Joanna M. Burkhardt

      Copyright 2024 Library Journal, LLC Used with permission.

    • AudioFile Magazine
      Tim Machin narrates this latest installment in the Arthur Beauchamp series. Canadian criminal attorney Beauchamp sets out to write a memoir that gives insight into a historical murder trial that he argued as a young lawyer in 1966. His goal is to refute the way that he was scandalously portrayed in a popular biography. Machin's narration carries listeners into Beauchamp's psyche, recounting the twists and turns of the trial. Because of the clever framing of the story within the story, listeners will be propelled through the audiobook. Machin tells the story instead of performing it: His voice does not dramatically change from character to character. Nonetheless, it embodies Beauchamp's personality. P.P.C. © AudioFile 2025, Portland, Maine

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