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The Stories Whiteness Tells Itself

Racial Myths and Our American Narratives

Audiobook
1 of 1 copy available
1 of 1 copy available
The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.
Intertwining history, literature, ethics, and the deeply personal, Mura looks back to foundational narratives of white supremacy to show how white identity is based on shared belief in the pernicious myths, false histories, and racially segregated fictions. White supremacy insists white knowledge is superior to Black knowledge, and this belief dismisses the truths embodied in Black narratives.
In James Baldwin's essays, Mura finds a response to racial distortions and a way for Blacks and other BIPOC people to heal from the wounds of racism.
Mura attends to the persistent trauma racism has exacted and lays bare how deeply we need to change our racial narratives to dissolve the myth of Whiteness and acknowledge the stories and experiences of Black Americans.
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    • Publisher's Weekly

      Starred review from October 31, 2022
      Poet and critic Mura (The Last Incantations: Poems) delivers a searing collection of essays on race in America and how it’s treated in literature. Mura, a Japanese American, recalls growing up striving for assimilation and “wanting to be thought of as white”; in turn, he makes an urgent plea that white readers listen “to the narratives that the white versions of our history and our present leave out.” In “Whiteness in Storytelling: Amistad, the Film and the Novel,” Mura juxtaposes the Steven Spielberg–helmed film with its novelization by Alexs Pate to demonstrate how the same story can be told in strikingly dissimilar ways. In “Portraits of Slavery: Faulkner and Morrison,” meanwhile, looks at William Faulkner’s Absalom, Absalom! and Toni Morrison’s Beloved for an examination of the “significant differences in the way the white imagination has dealt with the institution of slavery in contrast to the imaginative re-creations by Black American novelists.” The author bookends his collection with reflections on the killings of Philando Castile and George Floyd. Full of insightful analysis and powerful personal anecdotes, Mura’s top-notch cultural criticism delivers. Challenging and provocative, this one’s sure to stick with readers.

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  • English

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